meganbmoore: (first knight: guenevere)
[personal profile] meganbmoore
Guinevere in adaptations! (snowdropsandtigers @ tumblr)

I have a suspicion that this was meant to get me to talk about Angel Coulby’s Guinevere in Merlin, but alas, I’ve never seen a single episode of it. If I ever do, though, that’s who it’ll be for. (In the past I would have said for Guinevere and Morgan, but I…can’t say I’ve been impressed with Katie McGrath’s acting in the few things I’ve seen her in. Unpopular opinion, I know…)

As far as adaptations go, my favorite Guineveres were probably from the movies First Knight (which may not be a particularly good movie or popular as Arthuriana, but Julia Ormond was amazing) and Camelot, and Kim Headlee’s Dawnflight. I thought Phyllis Ann Karr’s depiction of Guinevere in Idylls of the Queen was very interesting, but there we more get a perspective of her through other characters more than she’s actually on page as a character herself.

There’s always been a Madonna/whore complex in approaches to Guenevere in fiction, with Guenevere serving both roles, but the “whore” side of the equation getting an unfair share of the blame for Camelot’s downfall. A lot of Arthuriana fen-hardcore or supercasual-in my general age group having a pretty strong anti-Guenevere stance for some time due to The Mists of Avalon being so anti-Guenevere (because you can’t redeem the reputation and focus on one major female character without also tearing down another?), though that seems to have died down in recent years. While I grew up with Arthuriana adaptations going in and out of my life quite a bit, I didn’t make it to MZB until my late 20s and, well, we’ll say I don’t respect her as a person at all thanks to things that have come up over the years in regards to her and her husband, but do respect how her books brought more focus and depth to female characters in most adaptations in the last 30-odd years, but her stuff wasn’t for me, and leave it at that.

That said, I think most adaptations still don’t really “get” Guinevere, and probably don’t have much interest in doing so, even when they’re sympathetic to her, unless she actually is a central focus.. I’ll give Starz’s Camelot series a nod for trying, even if (through no fault of the actress’s) they didn’t really do a good job with her overall, but the only thing I can truly give that show good credit for is casting Eva Green and Claire Forlani as Morgan and Ygraine, and being the only adaptation I’ve encountered, outside of MZB, to bother to develop and explore Ygraine as a character and her motivations, even if it let me down in the end there to, in regards to her final fate.

icons: Ever After High

Feb. 22nd, 2017 11:02 pm
meganbmoore: (eah: cerise)
[personal profile] meganbmoore
 68 x Ever After High: Spring Unsprung



here )
meganbmoore: (camelot 1967)
[personal profile] meganbmoore


This...I mean...there are elements in it that could be good? And it looks like if they ditched the King Arthur aspect, this could be an entertaining if unoriginal (and way to dude-centric) fantasy movie. But this actual movie looks like a terrible mess. Also, needs more color. Of more than one variety.
meganbmoore: (covert affairs: gimme tv)
[personal profile] meganbmoore
1. I haven’t talked much about TV here recently, but I haven’t really felt fannish about US shows? Elementary and Madam Secretary are solid shows that I have great fondness for but little interest in initiating conversation about, though it is worth noting that MS is one of those shows that’s really going after the current political climate. Bones is on its final season and it’s still Bones, which mean that, like the last several seasons, it’s worth watching for the characters that I’ve been following for a decade, but not really a lot else. Supergirl is a show I was fannish about last season but am not really fannish about this season. I still enjoy it, and there are definitely very good things about this season, but the problems we were worried about when we learned it was moving to CW came to pass.  Rosewood is also still solid and enjoyable, though I'm slightly concerned that a miracle cure is in the works.

Timeless wraps up the first season tomorrow.  It's not brilliant SciFi, but it is very entertaining SciFi, and is pretty good at calling out how much US history has erased and persecuted POC.

Star Wars Rebels continues to be great, but I wish it would fully commit itself to the Mandalore plotline that’s been building up instead of the endless build up. I’m very much looking forward to some things in the trailer that haven’t happened yet.

I still enjoy Emerald City despite its problems, and I have so many questions about the past that can’t possibly be answered in the last two episodes without putting the main plotline on hold. At least it looks like my questions about Jane might be answered next episode, though.

The only new show I’ve checked out (or really plan to) is Powerless, which is a sitcom set in the DC universe about the employees of a security firm who work on inventions to keep people and possessions safe from superhero battles. It also falls into the realm of “really like but don’t feel fannish about” but really is a delight. Of the shows I’m watching, it’s also probably the one most blatantly anti-Trump.

I haven’t watched How to Get Away With Murder since it returned from hiatus and I haven’t watched any of this season of Jane the Virgin (I’m spoiled about That Thing in JTV, though). I’ll probably watch both when Netflix gets them this summer.

Right now, I’m mostly waiting for Underground, Into the Badlands and Brooklyn 99 to return from hiatus, and wondering if Still Starcrossed will ever make it to my screen.  I think all my other shows are summer/late spring shows.

2. For a few US shows I’ve completely recently:

Netflix’s A Series of Unfortunate Events was a delight, due in large part to excellent casting and the actors’ ability to maintain an almost impossible pace for something so dialogue heavy. It’s hard to make something that requires that much dialogue and whose humor requires the narrator to step in so much to work, but they did it. My favorite character was Jacqueline, who had maybe 10-15 minutes screentime total throughout the season.

LEGO Star Wars: The Freemaker Adventures is a TV show set between The Empire Strikes Back and Return of the Jedi about a trio of scavenger siblings who come across a woman claiming to be a Jedi who survived Order 66, and help her look for the pieces of the kybersaber, a weapon that pre-dated the lightsaber. It’s an irreverent comedy that spends a whole lot of time mocking Palpatine and Vader, and the Empire in general. I kind of wish it was pat of the main Star Wars animated Universe canon, because there’s some good stuff in there.

I finally got around to watching the back half of season 5 of Haven now that netflix has it. I appreciated how fully it committed itself to its gothic horror roots and its devotion to the new mid-apocalyptic setting. I did not appreciate hoe it still felt th need to kill off any plot-important women who weren’t Audrey. It also somehow took an ending that SHOULD have been perfectly satisfactory to anyone and made it be awful and make no sense. Sigh.

3. I have been fairly fannish about kdramas and cdramas lately, though, but most of that portion of my friend’s list has migrated to tumblr, or are both here and there, so I forget to also talk about them here. Surprisingly, I’ve been fannish about Hwarang, which has been an admittedly fairly-average sageuk, but an enjoyable one, and utterly harmless. For an idol-heavy youth drama sageuk, it’s actually pretty decent, despite the almost universally-awful promotional material and trailers. It’s Silla-era and has enjoyable characters, and I’m easy there. It also has the worst fandom possible, largely due to stans of certain actors and their characters who believe the universe has horribly wronged them by not making the show and all the characters revolve around their favorite.

I’m also really enjoying Saimdang: Light’s Diary and Rebel: Thief Who Stole the People, but despite the split-timeperiods aspect of Saimdang, both are being fairly old-school in their approaches, and so things are really just getting started. (Unlike Hwarang, both are also excellent sageuks by any standard right now, but not to the tastes or the more vocal parts of kdramas fandom. As in, there are no idols, and they’re busy being Serious Business Sageuks.)

4. Slightly related to the above, I’m glad Moon Lovers brought a lot of people to sageuks last year, but frankly, that drama was mediocre. Entertaining and with some bright spots, but mediocre both as a sageuk and as a drama in general. It’s popularity was because of the popular idols in the cast, Lee Joon Ki fans, the fact that it wasn’t set in the Joseon era, and because it hit a lot of fandom’s buttons for character overinvestment, none of which are actually related to quality. I didn’t bother finishing it when I learned that the final episodes literally killed off every single female character except for the one history said that it absolutely could not kill off. But it got a lot of younger viewers interested in sageuks, and also got some not-so-young viewers in that didn’t typically watch sageuks, but now I can’t go to any drama sites with seeing other sageuks and popular ancient cdramas compared to Moon Lovers and somehow being found wanting, with people going out of their way to find ways to compare them. Hwarang fandom is probably the worst about that. But every drama I’ve seen compared to ML in the last 6 months or however long its been has, IMO, been a better drama.

5. Completely unrelated to TV, I’ve been checking flights for WisCon and the prices are almost double what they were two years ago. Hopefully they’ll go down in the next month or so, but I’m not holding my breath. (I also have no idea yet if I have roommates or need to start asking friends if they have room. I know one of my regular roommates isn’t going, but I haven’t heard back from the other yet. I don’t think most people start worrying about roommates in February, though…)
meganbmoore: (gran hotel: sneaky alicia)
[personal profile] meganbmoore
 107 x El Tiempo Entre Costuras/The Time In Between



here ) 

January talking meme: cdrama

Feb. 16th, 2017 09:27 pm
meganbmoore: (paladins: yan yu/mo le: pre-angstplosion)
[personal profile] meganbmoore

January 23 - talk to me about cdramas you think I'd like! (daughtersofthedragon @ tumblr)


Unless I’m misremembering, you’ve already watched some or all of Love020, all of The Princess Weiyoung, and some of The Legend of Hua Mulan, or I’d rec those. These aren’t necessarily the absolute best cdramas ever, but they’re accessible (both in terms of content and ease in finding with English subtitles), dramas I liked, and have good actors and characters and no bad writing/terrible endings.

this one got long )

oyceter: teruterubouzu default icon (Default)
[personal profile] oyceter
This is John Lewis' memoir of his time in SNCC during the Civil Rights Movement, co-written with Andrew Aydin and illustrated by Nate Powell.

It begins with Lewis preparing for the 2009 inauguration, and the contrast between that and the 1960s Jim Crow era was probably much more uplifting just a few months ago. As things are today, the book feels more necessary than ever. It's not as though the work stopped after the Voting Rights Act, after Obama's election, after anything, but there is so much more of it now.

Part of me wishes I had at least one experience of reading this before the election, with Obama still president, because those flashes to his inauguration in the comic, the hope that is so tangible, all of it is painful to read now.

I've known the general story of the Civil Rights Movement for almost as long as I can remember, having grown up reading those Scholastic biographies of Martin Luther King, Jr. And I've learned much more about it later on, from how much community organization was going on to the many different groups and philosophies involved. That said, I found this comic to be a valuable addition, particularly the first-person narrative and the way the black-and-white illustrations grab you.

The three volumes cover all the big points up through the signing of the Voting Rights Act, from the lunch counter sit-ins to the bus boycotts to Freedom Summer and Selma and the March on Washington, but it's the little details within the big moments that make the comic so good. Ones that particularly struck me were the students who couldn't make it through the nonviolence training or the fear of being killed—I feel it's always so easy for people to say, "If I were there, I would have marched or protested or volunteered," but to be honest, I'm not sure I would have been brave enough, particularly as a college student. The stories of all the people who were killed while helping are pretty chilling, and I'm glad that the authors and artist make it very clear how dangerous it was and how the activists there didn't know if they would make it through or not.

Other moments: one of the people running the lunch counters shutting it down and fumigating it with the protesters still inside; the ways people still resisted even while they were in jail; how the activists set up check ins; and through it all, just how violent the pushback was to every single tiny step. I keep returning to that after reading all the justifications for police violence on the protesters today and how quickly just saying "no" becomes a reason to beat you down. It's not that I didn't know, but seeing it illustrated brings it home in a very particular way.

My one complaint is that I wish Lewis had gone more into how the movement started to splinter, how some people began to advocate for physically fighting back, or the increasing divide between SNCC and the SCLC and other organizations. Lewis hews to his nonviolent philosophy here while also trying to portray other people's points of view without demonizing them. I think his attempt to walk the line of upholding nonviolent resistance without condemning those who thought he sold out makes those parts a little too abstract; without the dialogue and arguments and examples of what happened in those clashes of philosophy, much of the power of the comic is lost.

I also wish he had gone into more detail because I would have found it extremely helpful for right now, when it feels like there's a different answer or strategy every day, and as a roadmap for making change with a large coalition of groups who frequently don't see eye to eye.

All in all, very worth reading, and I only wish it were longer and had more details about how to deal with splintering coalitions.

[Politics]

Feb. 13th, 2017 09:38 pm
oyceter: teruterubouzu default icon (Default)
[personal profile] oyceter
I feel like I basically got nothing done in January because I was sick through most of it--one of those awful colds where you just keep coughing and coughing and not getting any rest because you're coughing so much. Thankfully, it's now gone.

Questions re: calling your members of Congress: Does it matter if you call during business hours, or is voicemail left after hours okay? And if they've already made a statement on something, is there a point to calling about that issue?

I have also started doing stuff for one of my local Indivisible groups \o/! I still need to look into more cybersecurity stuff as well. And I am doing that thing where I am reading way too much news. Some of it is necessary for volunteer work, and some of it is useful for work, but I really do not need to be refreshing five sites all the time, along with my personal social media accounts. I tried setting up something like Flipboard or another aggregator, but it feels a bit disorienting. I like being on the news provider's website and getting a better sense of their style and what they report on and etc. I suppose once I've figured it out for many sites, the aggregator will make more sense.
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